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  <titleInfo>
    <title>Channeling cultures</title>
    <subTitle>television studies from India</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Sen, Biswarup.</namePart>
    <namePart type="termsOfAddress"/>
    <namePart type="date"/>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
    <role>
      <roleTerm type="text"/>
    </role>
  </name>
  <name type="personal">
    <namePart>Roy, Abhijit</namePart>
    <namePart type="date">1972-</namePart>
    <role>
      <roleTerm type="text">editor of compilation.</roleTerm>
    </role>
  </name>
  <name type="personal">
    <namePart>Sen, Biswarup</namePart>
    <role>
      <roleTerm type="text">editor of compilation.</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <edition>First edition.</edition>
    <issuance>monographic</issuance>
  </originInfo>
  <physicalDescription>
    <extent>xix, 322 pages ; 23 cm</extent>
  </physicalDescription>
  <abstract>Channelling Cultures: Television Studies from India is a  seminal collection of essays on regional, national and  global itineraries of Indian television in the twenty- first century. At a time when the television landscape in  India is undergoing a second wave of change with  compulsory digitization, new interactivity and  convergence, unforeseen forms of televisual publicness  and renewed debates on self-censorship, media ethics and  the code of content, the essays in the volume seek to  provoke a fresh understanding of television as a crucial  player in Indian culture and politics. Featuring work by  leading experts in the field, it locates the study of  television within the myriad histories of the nation as  well as various trajectories in global culture and  politics. With a special focus on the genres of news,  reality TV and soap opera, it addresses issues such as  postcoloniality, citizenship, democracy, development,  globalization, consumerism, liveness, affect, and gender.  The volume demonstrates that Indian television provides  an indispensable context for interrogating and critically  engaging with the standard assumptions of television  studies and more broadly global media studies.</abstract>
  <tableOfContents>CONTENTS: Introduction / Biswarup Sen and Abhijit Roy -- TV after television studies: recasting questions of  audiovisual form / Abhijit Roy -- Televisual temporalities and the affective organization  of everyday life / Purnima Mankekar -- Television, narrative identity, and social imaginaries: a  hermeneutic approach / Sanjay Asthana -- Spaces of television: rethinking the public/private  divide in postcolonial India / Shanti Kumar -- From clients to consumers: the missing citizens among the  Indian television audience / Dipankar Sinha -- Television news and an Indian infotainment sphere / Daya  Kishan Thussu -- When live news was too dangerous: the early history of  satellite TV in India / Nalin Mehta -- NDTV 24x7 remix: Mohammad Afzal guru frame by frame /  John Hutnyk -- Big brother, bigg boss: reality television as global form  / Biswarup Sen -- The saffron hues of gender and agency on Indian  television / Santanu Chakrabarti -- Sange Thakun: Bangla news channels and media-citizenry /  Nilanjana Gupta -- Tears, talk, and play: a window to gender and sexuality  on Tamil television / Uma Vangal -- Afterword / by Arvind Rajagopal.   </tableOfContents>
  <note type="statement of responsibility">edited by Biswarup Sen, Abhijit Roy.</note>
  <subject authority="lcsh">
    <topic>Television</topic>
    <topic>Social aspects</topic>
    <geographic>India</geographic>
    <topic>Congresses</topic>
  </subject>
  <identifier type="isbn">0198092059 (hbk.)</identifier>
  <identifier type="isbn">9780198092056 (hbk.)</identifier>
  <identifier type="lccn">2014355884</identifier>
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