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  <titleInfo>
    <title>Popular fiction</title>
    <subTitle>technology, ideology, production, reading</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Bennet, Tony.</namePart>
    <namePart type="termsOfAddress"/>
    <namePart type="date"/>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
    <role>
      <roleTerm type="text"/>
    </role>
  </name>
  <name type="personal">
    <namePart>Bennett, Tony</namePart>
    <namePart type="date">1947-</namePart>
  </name>
  <typeOfResource>text</typeOfResource>
  <originInfo>
    <place>
      <placeTerm type="text">London</placeTerm>
    </place>
    <place>
      <placeTerm type="text">New York</placeTerm>
    </place>
    <publisher>Routledge</publisher>
    <dateIssued>1990</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <physicalDescription>
    <extent>xix, 486 p. : ill. ; 22 cm.</extent>
  </physicalDescription>
  <abstract>This book should be of interest to students and lecturers  of cultural studies and literary studies.</abstract>
  <tableOfContents>CONTENTS: Series editor's preface -- Preface --  Acknowledgement -- Popular fictions and cultural  technologies -- Introduction -- The technology and the  society -- On screen, in frame: film and ideology --  Broadcast TV as cultural form -- 'While Millicent bucked  and writhed...' -- Fictioning the nation -- Introduction  --Apprehensions of time -- The language of detection --  Scotland and Cinema: the inquiry of the fathers --  Representing the  nation -- Pleasure, gender, sexuality:  feminist reappraisals -- Introduction -- Afterthoughts on  'visual pleasure and narrative cinema' -- Women in film  noir -- Sexual disguise and cinema -- The search for  tomorrow in today's soap operas -- Knowledge, power,  ideology: detective fiction -- Introduction -- From the  flaneur to the detective: interpreting the city of poe --  Clues -- Morelli, Freud and Sherlock Holmes: clues and  scientific method -- Deconstructing the text: Sherlock  Holmes -- Production -- Introduction -- Send-up:  authorship and organization -- The making of (the) MTM  (show) -- Made in Ealing -- Out of what past? Notes on  the B film noir -- Reading -- Introduction -- The  operational aesthetic -- Peter Pan and the  commercialization of the child -- Figures of bond --  Television and gender -- Bibliography -- Index.   </tableOfContents>
  <note type="statement of responsibility">edited by Tony Bennett.</note>
  <note>Includes index.</note>
  <note>Bibliography: p. [461]-474.</note>
  <subject authority="lcsh">
    <topic>Culture in motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>English fiction</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Mass media</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Motion pictures</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Popular culture</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Popular literature</topic>
    <topic>History and criticism</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Television broadcasting</topic>
  </subject>
  <classification authority="ddc" edition="19">302.2/34</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Popular fictions series</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">0415025176</identifier>
  <identifier type="isbn">0415025184 (pbk.)</identifier>
  <recordInfo>
    <recordIdentifier>6960</recordIdentifier>
  </recordInfo>
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