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  <titleInfo>
    <title>Virtualities</title>
    <subTitle>television, media art, and cyberculture</subTitle>
  </titleInfo>
  <name type="personal">
    <namePart>Morse, Margaret.</namePart>
    <role>
      <roleTerm authority="marcrelator" type="text">creator</roleTerm>
    </role>
  </name>
  <typeOfResource>text</typeOfResource>
  <genre authority="marc">bibliography</genre>
  <originInfo>
    <place>
      <placeTerm type="code" authority="marccountry">inu</placeTerm>
    </place>
    <place>
      <placeTerm type="text">Bloomington</placeTerm>
    </place>
    <publisher>Indiana University Press</publisher>
    <dateIssued>c1998</dateIssued>
    <dateIssued encoding="marc">1998</dateIssued>
    <issuance>monographic</issuance>
  </originInfo>
  <language>
    <languageTerm authority="iso639-2b" type="code">eng</languageTerm>
  </language>
  <physicalDescription>
    <form authority="marcform">print</form>
    <extent>xii, 266 p. : ill. ; 24 cm.</extent>
  </physicalDescription>
  <abstract>In Virtualities, Margaret Morse focuses on the interactions  that people have with machines and images. Morse contends  that such interactions, far from being liberating, actually  cloak an impoverished public sphere by idealising  impersonal relations.</abstract>
  <tableOfContents>pt. 1. Virtualities as Fictions of Presence. 1.  Virtualities: A Conceptual Framework. 2. The News As  Performance: The Image As Event -- pt. 2. Immersion in Image Worlds: Virtuality and Everyday  Life. 3. Television Graphics and the Virtual Body: Words  on the Move. 4. An Ontology of Everyday Distraction: The  Freeway, the Mall, and Television. 5. What Do Cyborgs  Eat? Oral Logic in an Information Society -- pt. 3. Media Art and Virtual Environments. 6. The Body,  the Image, and the Space-in-Between: Video Installation  Art. 7. Cyberscapes, Control, and Transcendence: The  Aesthetics of the Virtual.   </tableOfContents>
  <note type="statement of responsibility">Margaret Morse.</note>
  <note>Includes bibliographical references (p. [243]-256) and index.</note>
  <subject authority="lcsh">
    <topic>Communication</topic>
    <topic>Social aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Computers and civilization</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Mass media</topic>
    <topic>Social aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Social interaction</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Television broadcasting</topic>
    <topic>Social aspects</topic>
  </subject>
  <subject authority="lcsh">
    <topic>Virtual reality</topic>
    <topic>Social aspects</topic>
  </subject>
  <classification authority="ddc" edition="21">302.23</classification>
  <relatedItem type="series">
    <titleInfo>
      <title>Theories of contemporary culture ; v. 21</title>
    </titleInfo>
  </relatedItem>
  <identifier type="isbn">0253211778 (pbk. : alk. paper)</identifier>
  <identifier type="isbn">0253333822 (cloth : alk. paper)</identifier>
  <identifier type="lccn">97040901</identifier>
  <recordInfo>
    <recordCreationDate encoding="marc">970925</recordCreationDate>
    <recordChangeDate encoding="iso8601">20181127183948.0</recordChangeDate>
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