| 000 | 01329cam a2200229 4500 | ||
|---|---|---|---|
| 001 | 6643 | ||
| 010 | _a98902940 | ||
| 020 | _a0195652959. | ||
| 100 | 1 | _aPrasad, M. Madhava. | |
| 245 | 1 | 0 |
_aIdeology of the Hindi film : _ba historical construction / _cM. Madhava Prasad. |
| 264 | 1 |
_aNew Delhi ; _bOxford University Press, _c1998. |
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| 300 |
_a258 pages : _billustrations ; _c22 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 504 | _aIncludes bibliographical references (pages [238]-247) and index | ||
| 505 |
_aIntroduction: The Ideology of formal subsumption -- The economics of ideology: popular film form and mode of production -- The absolutist gaze: political structure and cultural form -- Guardians of the view: the prohibition of the private -- The moment of diasggregation -- The aesthetic of mobilization -- Middle-class cinema -- The development aesthetic -- Towards real subsumption?: signs of ideological reform in two recent films. _g _r _t |
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| 520 | _aThis book highlights distinctive features of the narrative forms of Hindi cinema and explores the economic, historical and cultural reasons for these | ||
| 520 | _aWith reference to India | ||
| 650 | 0 |
_aMotion pictures _xSocial aspects _zIndia |
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| 650 | 0 |
_aMotion pictures _zIndia |
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| 999 |
_c5593 _d5593 |
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