| 000 | 02298cam a2200229 4500 | ||
|---|---|---|---|
| 001 | 7036 | ||
| 010 | _a2005042964 | ||
| 015 |
_aGBA504550 _2bnb |
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| 020 | _a1403916268 (hardback) | ||
| 020 | _a1403916276 (pbk.) | ||
| 020 | _a9781403916266 (hardback) | ||
| 020 | _a9781403916273 (pbk.) | ||
| 100 | 1 |
_aLacey, Nick, _d1961- |
|
| 245 | 1 | 0 |
_aIntroduction to film / _cNick Lacey |
| 260 |
_aHoundmills, Basingstoke, Hampshire ; _aNew York : _bPalgrave Macmillan, _c2005 |
||
| 300 |
_axvi, 336 p. : _bill. ; _c24 cm |
||
| 504 | _aIncludes bibliographical references (p. 308-328) and index | ||
| 505 | 0 | 0 |
_tFilm language -- _tIntroduction to mise en scene -- _tProduction design: sets, props and costumes -- _tLighting -- _tPerformance -- _tSound (and music) -- _tFraming: position; depth of field; aspect ratio; height and angle (but not movement) -- _tCamera movement -- _tEditing -- _tFilm stars as texts -- _tFilm genre and narrative -- _tDefining genre -- _tThe repertoire of elements -- _tGeneric evolution -- _tApproaches to genre -- _tTwelve uses of genre -- _tGenre and audiences -- _tIntroduction to narrative -- _tTodorov and Propp -- _tStory and plot -- _tRoland Barthes' narrative codes -- _tOther approaches -- _tPostmodern narratives -- _tFilm as industry -- _tThe beginning of cinema -- _tHollywood-the formation of the major studios -- _tHollywood and censorship -- _tHollywood-the coming of sound -- _tHollywood decline: the Paramount decrees and the baby boom -- _tNew Hollywood? The early 1970s -- _tPackage Hollywood -- _tHollywood: conglomeration to media corporation -- _tThe importance of Jaws -- _tHollywood and the high concept -- _tThe independent sector in North America -- _tThe arthouse sector -- _tSelling cinema -- _tGenre and industry -- _tHow new is contemporary Hollywood? -- _tStars -- _tThe publicity circus -- _tThe DVD revolution -- _tFilm festivals -- _tConclusion: the shadow of Hollywood -- _tFilm and theory -- _tFilm and realism -- _tThe auteur theory -- _tStructuralism and auteurism -- _tScreen theory - ideology -- _tScreen theory - psychoanalysis -- _tScreen theory - feminist analysis -- _tSpectatorship -- _tThird cinema and post-colonialism -- _tPostmodernism and poststructuralism -- _tAudience pleasures |
| 650 | 0 | _aCinematography | |
| 650 | 0 | _aMotion pictures | |
| 999 |
_c5971 _d5971 |
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