MARC details
| 000 -LEADER |
|---|
| fixed length control field |
03989cam a2200349 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
5645 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20181127175937.0 |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
|---|
| LC control number |
2013028230 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780199928972 (hardcover : acid-free paper) |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
302.23 |
| Edition number |
23 |
| 084 ## - OTHER CLASSIFICATION NUMBER |
|---|
| Classification number |
POL000000 |
| Number source |
bisacsh |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Berry, Jeffrey M., |
| Dates associated with a name |
1948- |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The outrage industry : |
| Remainder of title |
political opinion media and the new incivility / |
| Statement of responsibility, etc. |
Jeffrey M. Berry and Sarah Sobieraj. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Oxford ; |
| -- |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2014] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
x, 275 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Studies in postwar American political development |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 8# - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
Machine generated contents note: -- Chapter 1 Outrage -- Chapter 2 Mapping Outrage in Blogs, Talk Radio, and Cable News -- Chapter 3 The Perfect Storm -- Chapter 4 It's a Business -- Chapter 5 Political Anxiety and Outrage Fandom -- Chapter 6 Mobilizing Outrage -- Chapter 7 Continuity, Change, Synergy -- Chapter 8 The Future of Outrage -- Appendix. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
""In early 2012, conservative radio host Rush Limbaugh claimed that Sandra Fluke, a Georgetown University law student who advocated for insurance coverage of contraceptives, ""wants to be paid to have sex."" Over the next few days, Limbaugh attacked Fluke personally, often in crude terms, while a powerful backlash grew, led by organizations such as the National Organization for Women. But perhaps what was most notable about the incident was that it wasn't unusual. From Limbaugh's venomous attacks on Fluke to liberal radio host Mike Malloy's suggestion that Bill O'Reilly ""drink a vat of poison... and choke to death,"" over-the-top discourse in today's political opinion media is pervasive. Anyone who observes the skyrocketing number of incendiary political opinion shows on television and radio might conclude that political vitriol on the airwaves is fueled by the increasingly partisan American political system. But in The Outrage Industry Jeffrey M. Berry and Sarah Sobieraj show how the proliferation of outrage-the provocative, hyperbolic style of commentary delivered by hosts like Ed Schultz, Bill O'Reilly, and Sean Hannity- says more about regulatory, technological, and cultural changes, than it does about our political inclinations. Berry and Sobieraj tackle the mechanics of outrage rhetoric, exploring its various forms such as mockery, emotional display, fear mongering, audience flattery, and conspiracy theories. They then investigate the impact of outrage rhetoric-which stigmatizes cooperation and brands collaboration and compromise as weak-on a contemporary political landscape that features frequent straight-party voting in Congress. Outrage tactics have also facilitated the growth of the Tea Party, a movement which appeals to older, white conservatives and has dragged the GOP farther away from the demographically significant moderates whose favor it should be courting. Finally, The Outrage Industry examines how these shows sour our own political lives, exacerbating anxieties about political talk and collaboration in our own communities. Drawing from a rich base of evidence, this book forces all of us to consider the negative consequences that flow from our increasingly hyper-partisan political media""-- |
| Assigning source |
Provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Mass media |
| General subdivision |
Political aspects |
| Geographic subdivision |
United States. |
|
|---|
| Topical term or geographic name entry element |
Mass media and public opinion |
| Geographic subdivision |
United States. |
|
|---|
| Topical term or geographic name entry element |
Political culture |
| Geographic subdivision |
United States. |
|
|---|
| Topical term or geographic name entry element |
Television and politics |
| Geographic subdivision |
United States. |
|
|---|
| Topical term or geographic name entry element |
Television in politics |
| Geographic subdivision |
United States. |
|
|---|
| Topical term or geographic name entry element |
Television viewers |
| Geographic subdivision |
United States |
| General subdivision |
Attitudes. |
| 651 #0 - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
United States |
| General subdivision |
Politics and government |
| Chronological subdivision |
21st century |
| General subdivision |
In mass media. |
|
|---|
| Geographic name |
United States |
| General subdivision |
Politics and government |
| Chronological subdivision |
21st century |
| General subdivision |
Public opinion. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Sobieraj, Sarah. |
