The politics of Hindi cinema in the new millennium : (Record no. 7283)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03360cam a2200289 4500 |
| 001 - CONTROL NUMBER | |
| control field | 8424 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20181127185910.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 140709s2014 ii 000 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2014357913 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 0199450560 |
| International Standard Book Number | 9780199450565 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
| Classification number | 791.430954 |
| Edition number | 23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Raghavendra, M. K., |
| Relator term | |
| 240 10 - UNIFORM TITLE | |
| Uniform title | Essays. |
| Form subheading | Selections |
| 245 14 - TITLE STATEMENT | |
| Title | The politics of Hindi cinema in the new millennium : |
| Remainder of title | Bollywood and the Anglophone Indian nation / |
| Statement of responsibility, etc. | M.K. Raghavendra. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE | |
| Place of production, publication, distribution, manufacture | New Delhi, India : |
| Name of producer, publisher, distributor, manufacturer | Oxford University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice | 2014. |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | xl, 264 pages ; |
| Dimensions | 23 cm |
| 336 ## - CONTENT TYPE | |
| Content type term | text |
| Content type code | txt |
| Source | rdacontent |
| 337 ## - MEDIA TYPE | |
| Media type term | unmediated |
| Media type code | n |
| Source | rdamedia |
| 338 ## - CARRIER TYPE | |
| Carrier type term | volume |
| Carrier type code | nc |
| Source | rdacarrier |
| 505 ## - FORMATTED CONTENTS NOTE | |
| Formatted contents note | Preface ; Introduction ; 1. The Global and the Pre-Modern ; Raaz (2002) ; 1. The Adulterous Woman ; Jism (2003) to Kabhi Alvida Na Kehna (2006) ; 1. 'Undivided India' ; Gadar: Ek Prem Katha (2001) and Veer-Zara (2004) ; 1. The Youth Film as Dissent ; Rang de Basanti (2006) and the Political Class ; 1. The Agony Aunt and the Small Illegality ; Munna Bhai MBBS (2003) and Lage Raho Munna Bhai (2006) ; 1. Thieves like Us ; Enterprise in Bunty Aur Babli (2005), Dhoom 2 (2006), and Guru (2007) ; 1. The 'Hyperreal' and the Narrowing Nation ; Om Shanti Om (2007) ; 1. The Reservations of Middle-Class Concern ; Page 3 (2005), Corporate (2006), Traffic Signal (2007), and Fashion (2008) ; 1. Dystopia or Entrepreneurial Fantasy ; Kaminey (2009) ; 1. The Exemplary Citizen ; Education, Taare Zamin Par (2007) and Three Idiots (2009) ; 1. Politics and Enterprise ; Raajneeti (2010) ; 1. The Anthropological Gaze ; Agrarian Issues and Peepli (Live) (2010) ; 1. Resisting the Anglophone Nation ; Rab Ne Bana Di Jodi (2008) and Dabangg (2010) ; 1. Transactions ; Friendships in Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011) ; 1. Sport and the Nation ; Iqbal (2005), Chak De India (2007) and Paan Singh Tomar (2012) ; Conclusion: Collapsing State, Dissolving Nation ; Index ; About the Author |
| Miscellaneous information | |
| Statement of responsibility | |
| Title | |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This book charts out a new direction in scholarship on Indian cinema. It argues that with mainstream Hindi cinema becoming 'Bollywood' and the diaspora becoming a key commercial factor, the constituency addressed by the mainstream Hindi film has significantly changed. Consequently, the audience for Hindi cinema has become more asymmetric. With the emergence of a new knowledge economy in the 1990s and Indian professionals traveling and settling abroad, a new 'Anglophone Indian Nation', the one with the greatest spending power, was born. Where mainstream Hindi cinema had been regarded as a pariah by the Indian state, the commercial success of Bollywood globally gave it immense respectability in the government. This work expresses the hope that understanding such an asymmetry will help us appreciate some of the alignments in India and the political forces which often masquerade as 'opinion'. Apart from bringing out the transformation of the mainstream Hindi film after it became 'Bollywood', the book provides fresh insights into political developments in India in the past decade outside cinema. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Motion picture industry |
| Geographic subdivision | India. |
| Topical term or geographic name entry element | Motion pictures |
| Geographic subdivision | India. |
| Topical term or geographic name entry element | Motion pictures and language. |
| Topical term or geographic name entry element | Motion pictures, Hindi. |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection code | Home library | Current library | Shelving location | Serial Enumeration / chronology | Inventory number | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Dewey Decimal Classification | Main TEST | RTC Library | RTC Library | Main opac | 12893 | 791.4 RAG | 30011500 | 27/11/2018 | 27/11/2018 | Main |