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Virtualities : television, media art, and cyberculture / Margaret Morse.

By: Material type: TextSeries: Theories of contemporary culture ; v. 21Publication details: Bloomington : Indiana University Press, c1998.Description: xii, 266 p. : ill. ; 24 cmISBN:
  • 0253211778 (pbk. : alk. paper)
  • 0253333822 (cloth : alk. paper)
Subject(s): DDC classification:
  • 302.23 21
Contents:
pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. 2. The News As Performance: The Image As Event -- pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.
Summary: In Virtualities, Margaret Morse focuses on the interactions that people have with machines and images. Morse contends that such interactions, far from being liberating, actually cloak an impoverished public sphere by idealising impersonal relations.
Holdings
Cover image Item type Current library Home library Collection Shelving location Call number Materials specified Vol info URL Copy number Status Notes Date due Barcode Item holds Item hold queue priority Course reserves
Main RTC Library Main opac Main TEST 302.23 MOR Available 30012059
Total holds: 0

Includes bibliographical references (p. [243]-256) and index.

pt. 1. Virtualities as Fictions of Presence. 1. Virtualities: A Conceptual Framework. 2. The News As Performance: The Image As Event -- pt. 2. Immersion in Image Worlds: Virtuality and Everyday Life. 3. Television Graphics and the Virtual Body: Words on the Move. 4. An Ontology of Everyday Distraction: The Freeway, the Mall, and Television. 5. What Do Cyborgs Eat? Oral Logic in an Information Society -- pt. 3. Media Art and Virtual Environments. 6. The Body, the Image, and the Space-in-Between: Video Installation Art. 7. Cyberscapes, Control, and Transcendence: The Aesthetics of the Virtual.

In Virtualities, Margaret Morse focuses on the interactions that people have with machines and images. Morse contends that such interactions, far from being liberating, actually cloak an impoverished public sphere by idealising impersonal relations.

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